Introduction
At a select-service hotel, rooms are effectively the entire profit and loss statement: the building sells beds and little else. A destination resort is a different business wearing the same uniform. Rooms can be barely half of the revenue, with food and beverage, group banquets, spa, golf, and resort fees making up the rest. Food and beverage alone runs 35% to 45% of total revenue at luxury and resort properties and approaches 50% at some destination resorts, against 20% to 30% at an ordinary full-service hotel. That revenue diversity is the appeal of the resort format, but it comes with a catch that catches out a lot of first-time analysts: the non-rooms lines bring revenue at a fraction of the margin that rooms do.
The Non-Rooms Revenue Stack
Resort revenue builds up from several departments, each with its own demand pattern and cost structure. Food and beverage is the largest non-rooms contributor by far, typically more than 80% of non-rooms revenue across restaurants, bars, in-room dining, and catering. Group and banquet business, the conferences, weddings, and corporate meetings that book blocks of rooms alongside function space, is the second engine, and it has been migrating toward resorts: banquet revenue rose roughly 8.7% at resort hotels in a recent year even as it fell 7.3% at urban convention hotels, as groups chose destinations for offsite meetings. Spa, golf, and recreation round out the top line; these amenities carry heavy fixed costs (a golf course and a spa must be staffed and maintained whether or not they are busy), so they reward scale and high utilization. Resort fees, the daily charge bundling amenities like Wi-Fi, pool access, and fitness, have exploded as a near-pure-margin line, growing far faster than rooms revenue over the past decade, though they have also drawn regulatory scrutiny over disclosure.
- Ancillary revenue
Revenue a hotel earns from sources other than room rental, including food and beverage, banquets and meeting space, spa and recreation, parking, and resort fees. At resorts it can equal or exceed room revenue, and it is the defining feature that separates a destination property from a rooms-driven select-service hotel.
The clearest example of a business built around this stack is Ryman Hospitality, whose Gaylord-branded resorts are designed as self-contained group-and-convention destinations where function space and F&B drive the economics as much as the rooms. Its model sits at the far end of the spectrum mapped in the lodging REIT landscape, and it underwrites nothing like a select-service portfolio.
Why TRevPAR, Not RevPAR, Is the Resort Metric
Because rooms are only part of the picture, RevPAR understates how a resort actually performs. The metric that captures the whole property is TRevPAR, total revenue per available room, and analysts read it alongside RevPAR to see how much non-rooms business each room is generating. A resort with a TRevPAR running at two or three times its RevPAR is monetizing its guests well beyond the bed.
This is why a resort is valued on its total gross operating profit, not on rooms metrics alone. The forecast has to project each department's revenue and its specific margin, then sum to a property-level GOP, the same discipline a property-level cash-flow build applies elsewhere in real estate. A resort's F&B and group revenue also swing harder in a downturn than rooms do, because corporate meeting budgets and discretionary dining are among the first things cut, which adds cyclicality on top of the margin drag.
For an interview, the resort question usually tests whether a candidate can see past the headline. If asked why a resort with a higher RevPAR than a competitor might still be the worse investment, the answer is that the competitor may be earning far more high-margin room revenue while the first property leans on low-margin banquets and dining to pad its top line. The strong candidate asks for the revenue mix and the departmental margins, not just the RevPAR, because at a resort the profit lives in the composition, not the headline.


